A Datura to cheer me up

Happy Sunday all! I hope you’re all having a top weekend, wherever you may be. This weekend’s been a bit of an odd one. Chris and I have been out and about doing things – we’ve been cultured at an exhibition at the Science Museum, been to see Independence Day: Resurgence (it’s hilariously bad) and made some good in-roads into getting rid of some of the clutter in the flat. It should have been a fun weekend, but it’s been overshadowed by the EU referendum result. I know we’re not the only ones, but we’re both desperately disappointed at the prospect of leaving the EU and the fallout makes me uneasy for the future. As I write this, we’ve no effective PM or opposition and the Leave campaign seems to backtracking on all their pre-vote promises. I just hope that the coming weeks bring more stability and answers because I don’t feel it’s an understatement to say that my country is going into meltdown right now.

Anyway, you don’t come here for tinpot political comment. You come here for the clothes! My latest make the Deer & Doe Datura blouse, which has been sitting in my pattern stash since last year but it’s only now that I’ve got round to making it. Leigh over at Clueless Seamstress recently made her first version (and it’s ace) and it’s spurred me on to having a go myself – I need more tops for the summer, of course.

Datura front

Definitely a bit of excess around the hips there.

For a first attempt I went for View B with the Peter Pan collar as I thought it would be less of a fiddle than the triangle cut-out version. I used pink cotton for the bodice for a bit of colour (I am learning from Me Made May, see!) and blue Atelier Brunette cotton lawn for the body. You might recognise this from my Mimi blouse, and I’ve still got a little left to do something else – which is fab, cos I do love this stuff). I’m not sure I’d buy the pink cotton again. The wrong side is coated with a thin layer of shiny stuff which I wouldn’t want next to my skin, but it’s ok because the bodice is self-lined so it’s all facing inwards.

Datura collar

Close up on the collar – one of the things I like about this is how the Peter Pan collar mirrors the pattern on the body. 

Speaking of the bodice, this was the most difficult part, but only because the instructions were so sparse when you get to attach the front to the back at the shoulders. The method has you pushing the front straps up the inside of the back straps, right sides together but it’s not very well explained in the booklet. I used this sewalong for clarity, but I soon realised I’d done it before on the Grace dress – I just hadn’t recognised it. I do like it though – it produces a very clean result, and when you pull it through, it’s particularly pleasing to see it just work.

Datura side

The envelope says that the Datura is an Advanced pattern, but I think it’s mostly due to the bodice construction – the rest of it is pretty straightforward. Even the hem is bias bound, so it’s easy-peasy.  It’s been for a reprint since I bought it, and looking at the website it’s been downgraded to a 3/5 for difficulty. I certainly had no problems beyond the shoulders. I needed to lower the darts by an inch or so, and I graded out a few sizes at the hips, which I probably didn’t need to do, with hindsight – it is a little baggy round the hips. The only other change I made was to omit the buttonholes on the back as I can get the top on without any bother.

Datura back

From the back. I might have had a nap on the sofa this afternoon, hence the creases… Ooops.

Although it is a little bit bigger around the hips than I would normally like, I do like this version. I’m pleased with the fit around the bust, shoulders and armholes, and it’s summery and light which will be great on warmer days. I can also throw a cardi over it, so it’ll take me into autumn too. I’m going to have a go at Version A next, and I’ve got the fabric (all stash – yay me!) ready to cut out. More on that one another time!

I love sewing, but…

I like sewing. I think that’s pretty clear. I like finishing a project and having something lasting to show for it. I like it when the insides of my clothes are really neat. I like learning new skills, putting them into practice and getting better at them over time. But, we can’t love every single aspect of our hobbies, and man, are there some things that get my goat about sewing! Here’s my top three:

Bobbin running out of thread

I daresay I am not alone in this. You’re merrily sewing a line of stitching, you get to the end, back tack and clip your threads and then you turn your work over to see that the bobbin thread ran out halfway down the line. UGH. I have so many better things to be doing than stopping and rewinding the bobbin! I try to remember to wind two at the start of a project but sometimes I don’t have any extras so I run the gauntlet of frustration instead.

Empty bobbin

So empty. So sad. 

Pinning and cutting out fabric

I love fabric. I love making it into things. But I hate pinning it and cutting it out. It takes so long! I just want to get to the good stuff and start running bits of material through my machine, but obvs you can’t do that unless you’ve got proper shapes cut out in the first place. I cut out on the kitchen table, which isn’t quite high enough either, so if it’s a particularly complicated pattern to cut out I can end up with a sore back. I’m looking at you, vintage shirt dress.


Skipped stitches

Another thing that ruins my flow is skipped stitches. What could be causing it? Incorrect tension? Poorly threaded needle? A dull needle? Wrong size needle all together? I feel like I have to go through every option every time to find out what the problem is, so I change the needle, rethread, sigh, rethread again… And then, once it’s sorted, I have to unpick my work and re-do it! Pesky needles.

Skipped stitches

So many skipped stitches. Why did I persevere? Seam ripper ahoy!

What could you do without in sewing?

Selfless crafting for a new arrival

I’m at an age now where if my friends aren’t getting married (and let’s face it, they are all doing that at the moment – just one left to go this year), they’re having kids. And all these happy events mean more gift giving. The latest new arrival is my good friends Mark and Sophie’s little girl Alice, who popped out a week or two ago at an eye-watering 9lb (not so little then…). I’m normally much better organised on the present front – after all, there’s at least six months to prepare – but this time I’d only managed to do half my gift before the baby was born.

Cardi front

Teeny tiny cardigan! She’ll be in it for all of five minutes but it’s still cute!

The first part of my handmade present is the Swingset Cardigan from Little Crochet by Linda Perman. I’ve made it several times before (firstly for my goddaughter here) and it’s always been well-received. It’s a really cute little cardi and because I was making the smallest size I think I completed it in a day. It crochets from the neckline down so you increase the stitches in the yoke as you go and eventually add the upside-down shells straight on. The yoke is probably the trickiest bit, though it’s just a case of concentrating, counting and trusting that it is going to turn into a yoke, because at the start it doesn’t look like much. I used three little clear buttons from my stash and marvelled at how teeny tiny the finished cardigan is.

Cardi back

From the back. I like the contrast of the dense yoke and the lacy shells in this cardi. 

Once I had the text from Sophie that Alice had made her entrance, I had to get my skates on with the other part of her gift. I knew I wanted to sew a little dress, but had no idea what to make since it’s not all that often I sew for babies (i.e. this is the first time). A quick Google brought up Made by Rae’s Little Geranium dress, which is a free pattern for 0-3 months. There’s a full pattern with a couple of add ons for kids aged up to 12, but since we’re approaching the summer I figured Alice would probably have grown out of it by the time she needs sleeves. You might recognise the fabric from one of last week’s Chardons (stashbusting FTW) and I found the cute little daisy buttons in my button box.



What struck me about this pattern is just how minuscule it is. Again, since I don’t spend a lot of time around newborns I forget just how small they are. The pattern fit onto two pages of A4, though granted, you do only get the front and back bodice pieces, a pocket and the layout instructions. The skirt is just gathered, so you only need to cut out a rectangle the width of your fabric by 11 inches.


Pockets. Completely unnecessary on baby clothes, but why not, eh? 

The Geranium is a quick sew (well duh, it’s a fraction of the size of grown up clothes). The bodice is self-lined with three buttons or snaps at the back. Whack the skirt on and you’ve got yourself a dress. The instructions are comprehensive so there’s very little chance of going wrong. I did have to unpick the skirt a few times though, as my stitching in the ditch left a lot to be desired and I didn’t manage to catch the bodice. More practice required, obvs. I also put on a couple of patch pockets because babies need somewhere to put their loose change.


Close up on those buttons, and if you look carefully, my less than perfect stitching in the ditch.

Along with the cardigan and dress for Alice, I also slipped in a little book for Mark and Sophie, Go the F*ck to Sleep. Have you seen it? It’s worth a look for any prospective parents with a sense of humour. Check it out, but probably best not to read it to your child.

Have you done any selfless sewing/crafting recently?



Final Me Made May round up!

Well, despite not managing to post updates in the last ten days or so of Me Made May, I did manage to complete the month. I smashed my target – I had pledged to wear me-made five days a week but actually wore handmade clothes for all but one day of the month. And that was a much-needed pyjama day so I am not begrudging myself breaking the streak. My interest in taking photos waned a bit towards the end of the month (and of course, taking photos is not the point), so here is your slightly depleted final installment of bad photography and awkward poses!


Day 19: My Tilly and the Buttons Arielle skirt. Still love this one, though the lining does twist about a lot when I have a rucksack on my back. Not much I can do about that one, though!


Day 20: A long day at work and at Guides in my blue Colette Zinnia meant that all I wanted to do was get my feet up and have a glass of wine. That’s Chris in the background blocking the telly.


Day 21: If I look bedraggled in this one, it’s because we got caught in a downpour in Dublin. This is my second rayon Mathilde blouse.


Day 22: Feet up in my Margot pyjamas – made ages ago but unblogged.


Day 25: Not the best view of it, but here I am at the Book of Mormon in my gingham Grace dress. Enjoyed the show – not the best I’ve seen but still pretty funny with some catchy tunes. Top tip: don’t go if you’re easily offended.


Day 26: Believe me when I tell you that this is my bird print Scout. I’m at a Prince tribute night on ice at Alexandra Palace here and the lighting was not playing ball. It was good fun, though – basically like the roller discos you went to as a child but with better music. My name is Jo. And I am funky.


Day 29: And another unflattering photo of my zigzag Scout! I swear this one looks better in real life. Chris and I were on a walk in Oxshott woods, hence the greenery.


Day 31: Cheesy grin because I made it to the end! This is my blue Zinnia again, which I think is possibly my most worn me-made of the month (three times I think?). Hardly surprising though – it’s probably my favourite project this year.


So now that May is over, what have I learned? Well, as I said at the halfway point, I feel like I am sorely lacking in colour in my handmade wardrobe. It’s either blue (who am I kidding, it’s mostly blue), white or black. It’s summer now; I need more colour in my life! It doesn’t help that a lot of the fabric in my stash is blue. I’m relaxing my stash diet for the summer months so I can sew colours that suit the season and I’ve already got a few things planned that are a bit brighter.

Speaking of summer, I spent the month hoping that it wouldn’t be too warm as I would have struggled to find clothes suitable for work in hot weather. It would have been one long parade of Scouts for the whole month (it’s Me Made May, not One Week One Pattern). Light and airy workwear is on the cards for the future.

There are a few patterns that I’d like to revisit because I still like them, but I reckon I could do a better job with the fit. For example, my Mortmain has all sorts of problems in the bodice that could probably be solved with an FBA, and my Mathildes are ace, but again the darts are a bit high.

Last year I found that I wore mostly separates during Me Made May, whereas this year a few more dresses have crept in. That’s cool – I’ve made a few since January and I’m really enjoying wearing them.

It’s been quite an enlightening month for me and I’ve really enjoyed seeing what other people have been making/wearing both on the blogs and Instagram. Lots of inspiration on offer (e.g. have you seen Hila of Saturday Night Stitch‘s Instagram feed? AWESOME) so I’ve finished May wanting to sew all the things. I should really get a handle on what I want to sew and how it fits into my wardrobe – I’ve got a reasonably clear idea of what I want to do over summer, but before I make a start on my A/W2016 collection (ha!) I want to have a go at the Wardrobe Architect series. Maybe I’ll find out even more?


Did you know that ‘ahoy’ could have been the standard greeting used for answering the phone? Alexander Graham Bell suggested it, but Thomas Edison’s ‘hello’ proved more popular (and let’s face it, Lionel Richie singing ‘Ahoy! Is it me you’re looking for’ wouldn’t have had the same ring). This evening I’ve got a couple of skirts to show you, one with a nautical theme, that I’m entering into the Monthly Stitch’s Indie Pattern Month New to Me competition.

Green chardon front

I’ve admired Deer & Doe’s patterns for a while and I bought the Chardon skirt and Datura blouse patterns last year, but I’ve only just got round to having a go at them. With the summer fast approaching, I wanted some new skirts that I could wear for work. The Chardon is perfect – it’s a simple design with inverted box pleats and optional belt loops that looks great in a variety of fabrics. So of course, I made two.

My first attempt is in a mint green cherry blossom print cotton I got from John Lewis which was part of its 150th anniversary range. I bought three metres at the time, thinking I’d make a flouncy dress with it, then changed my mind as I thought it was a bit too girly-girly for my tastes. Less is definitely more so using it for a summer skirt seemed a better option.

Green chardon back

I think I made the right decision turning this into a skirt rather than a dress. Girly, yes, but a dress would have been a bit too much for me.

I cut a straight size 42 and started to sew it up. For a beginners’ skirt, I thought the instructions were really clear, though a printing error in my English booklet meant that the steps appeared out of order. Luckily I could put my French degree into practice and work out what was going where (I don’t get to use my degree that often so this excited me quite a bit). However, I felt the instructions missed some things that would help take the skirt to the next level. For example, I understitched the waistline facing and the pockets so they wouldn’t peek out. I don’t think it’s so much of a problem with the pockets, but I could see the facing popping out all the time.


Here’s the understitching on the facing. I love the finish here – oh so neat and crisp!

I made a couple of other changes to the construction. I used an invisible zip as that’s what I had in and I couldn’t be bothered to make the bias binding required by the pattern, so I did a normal turned and stitch hem. Since I’m tiny it worked out well – turning the hem up by an inch or so took it up to the perfect length for me.

For my second attempt, I used an anchor print chambray that’s been sitting in the stash for about a year. I love this stuff – it’s super soft, but presses really nicely and holds the pleats really well. It also looks really nice from the inside – overlocked edges look crisp and neat, which just pleases me no end.

Anchor chardon front

A nautical skirt needs a Breton top to go with it, obvs. Here you can see that the pockets are sitting a bit higher. Much more comfy.

I made a couple of changes from my first attempt. I sewed the belt loops a bit too low down on the waist, so I moved these ones up a bit, and I also felt that the pockets were too low. With my arms straight by my sides I could just get my hands in them which didn’t feel comfortable. I moved them up by two inches and now they feel much more comfortable.

Anchor chardon back

The Chardon is a lovely skirt that I’m really going to enjoy wearing throughout the summer. The blossom print one will be great for work and the chambray version is a bit more casual so more of a weekend/holiday skirt. I’m particularly chuffed that I’ve managed to turn two fabrics from the stash into something I’ll get a lot of wear from. As a first taste of Deer & Doe, I’m pretty chuffed. Next stop, the Datura!

Belt loops and pleat tops

The pleats are stitched down to keep them in place.


A more general shot of the innards.

Anchor chardon salute

Yes. Well…


A good vintage

As soon as I announced that I had a posting schedule I knew I would break it. This post is coming to you a day later than planned because I have spent the weekend gallivanting in Dublin. It was a nice little trip – visiting a friend to catch up on Eurovision because we missed it when it was aired last week. Like many others, Eurovision is a bit of a tradition for us. We always try and watch it together and according to my score sheet, my douze points this year went to Belgium. I never pick the actual winner…


Yes, it’s blue like all my other clothes, but it’s stash fabric, so what’re you gonna do?

So anyway, here’s my latest make! It’s a Sew Over It vintage shirt dress and I am just a teeny bit pleased with it. It’s my second version of the dress, having made the first in a class earlier this year. That one probably won’t get blogged – it’s a perfectly wearable dress but there are so many things I’d do differently (like sew the buttonholes in a straight line) that I’d rather show you a completely successful version. Like this one.


The armholes are finished with bias binding. 

My latest attempt is made in a lightweight cotton lawn from Goldhawk Road which will be perfect for summer, if it ever turns up. The guy in the shop said it was Liberty, but I’m more inclined to believe it’s Liberty knock off. It doesn’t feel silky like tana lawn and it had a printing imperfection near the selvedge which probably wouldn’t happen with Liberty fabrics (I like to think their quality control is a bit more advanced). Nevertheless it’s super pretty and it was really nice to work with.


The dress itself is easy to make and fit. It has pleats in the waist instead of darts and it has a lot of ease around the waist. I made a size 12 and added an extra inch to the bodice length as my first version sits a little bit too high, and I wanted to be able to wear a belt at the waist. It’s not a difficult project – the sewing is straightforward as long as you’ve marked everything up properly. The hardest part was attaching the collar. The very clear instructions have you sandwich the collar between the bodice and the facing so you’re sort of attaching it blind, although there is a pattern marker to help you. It’s a bit of a faff, but it does produce a nice neat finish.

One of my triumphs with this dress was definitely the buttonholes. My first version used thicker fabric which meant my machine had a hissy fit at the waist seam. I must have done the first buttonhole above the waist at least ten times, and that’s not an exaggeration. But on this dress the buttonholes went in like a dream, and when the machine went a bit haywire I calmly unpicked, rethreaded and carried on. Eleven buttonholes later I heaved a sigh of relief and congratulated myself on holding my temper.


I mean, look at the state of that! Ripped out SO. MANY. TIMES. 

I can’t wait for warmer weather so I can wear this dress without freezing. It’s a flattering shape on me and will be brilliant for work – I don’t have enough summer work clothes so this will really help. I’ve got a few other fabrics in my stash that would suit the pattern – I just need more time to make them up.

What are you making at the moment?


I added belt loops where the pleats meet at the waistline. This photo doesn’t show them very well, but I also really like the buttons – they’re a little bit shell-like but with an offset square carved out of the middle. Simple, yet sweet. 

Me Made May round-up no. 3

It’s Wednesday, so it’s time for another Me Made May round up! We’re now more than halfway through the month and while I’m enjoying wearing clothes I’ve made myself, I am getting a bit bored with taking daily photos (and let’s face it, some of them this week are bloody awful). I’ll persist though, because I am learning stuff.

Anyway, here we go with this week’s outfits!

12th resize

Day 12: My favourite Grainline Scout. This was taken on an impromptu night out with my old team, hence the awful photo. It was fun though, good to catch up on the gossip.


Day 13: Copied RTW top in butterfly cotton lawn. I love this one – really comfortable and easy to wear. Still persisting with the blue though.


Day 14: My gold shoes! These still feel a little tight over the top of my feet, so I wore them around the house all day to try and stretch them a little bit. But gold shoes are always awesome.


Day 15: My nautical viscose Scout. Let’s see if I can wear all my Scouts at least once during the month. I make that four so far. Only three more to go (and is it bad that I can’t think what the other three are??)


Day 16: My green Zinnia. Look! Some colour!! I do like this skirt – it’s about two years old and by now, cost per wear must be in the pence I wear it that much. As one of my earlier makes it’s not great on the insides and it has a small tear next to the zip, so I will retire it soon, but I need to make a new one and soon.

Day 17: I didn’t manage a photo yesterday, but I wore my black and white gingham Grace dress. 


Day 18: My first repeat – my purple Anna dress, which has been through the wash since the bird poo incident.

Since last week and all that blue I have been making a conscious effort to wear more colour. However, it’s hard to wear colourful me-made clothes when all you seem to have is blue! Colour aside though, I think I’ve got a good mix of handmade and casual work clothes – I’m not struggling to find things to wear in the morning, but I am picking a few things up that I’d like to make again, whether that’s to revisit a pattern or replace a well-loved garment. The sewing list grows ever longer…

How’s your Me Made May going?



Vogue 100: A Century of Style

Well, despite saying in my last post that I’m keeping Sundays for posting finished projects, I have nothing to show you today. I’ve had a very productive weekend though! I’ve made an entry for one of the Monthly Stitch‘s Indie Pattern Month competitions, and I’ve just about finished a Sew Over It vintage shirt dress – just need to do the buttons and buttonholes. I’ve also managed to get some culture in too! Yesterday I got up early to catch the Vogue 100: A Century of Style exhibition at the National Portrait Gallery.

National Portrait Gallery


I’m not a Vogue reader and only really know it for its fashion pages, so I went to the exhibition expecting to see some pretty dresses documented through the magazine. While that was definitely the focus, there was so much more to see.

Vogue starlight cover

There was no photography allowed in the exhibition, so the following are from the accompanying highlights book. This is a cover from 1926 by Eduardo Benito.

The exhibition is organised by decade and the layout encourages you to move through the 100 years of Vogue in reverse order. With the exception of one set of photos from the 80s which was all shoulder pads and Pat Butcher-pink lipstick, I was struck by how stylish the fashions still seem – nothing seemed to have dated all that much. Perhaps this is the difference between fashion and style…

Naomi Campbell

Naomi Campbell aged 17 in her first cover for Vogue in 1987. Dressed in Karl Lagerfeld, shot by Patrick Demarchelier.

The fashion photography itself was inspirational. I loved the photos from the 30s in particular – all clean lines and clever lighting. Most of them were shot in a studio, with photographers playing with light and focus to create the illusion of being outside. But what really struck me about the exhibits themselves, particularly as you move further back in time, was the physical condition of the photos themselves. Some of them were quite badly torn or crumpled – you could tell that they had been handled and used, which really gave the impression they were all used to produce a magazine.


Modern mariners put out to sea, by George Hoynigen Huene, 1930. This looks like they’re sitting on a diving board by the sea, but it was really shot on a rooftop in Paris, with the background out of focus to look like the horizon.

Francis Bacon

Francis Bacon by John Deakin, 1952. This looks like it’s been pulled out of files and generally mistreated. I like that – gives it a bit of atmosphere.

Alongside the models there were loads of interesting pieces on figures from outside the world of fashion – artists, writers, royalty and actors to name but a few. For example, did you know that Aldous Huxley (he of Brave New World fame) had a stint as a sub-editor at Vogue before becoming their literary critic? Even Morecambe and Wise were featured!

Jean Shrimpton

Jean Shrimpton by Saul Leiter, 1966.

But it was Lee Miller’s story in particular that stuck with me. Lee was an American model who appeared regularly in Vogue in the 1930s, but gave it up to become a photographer. During WW2 she made a name for herself as a war photographer, reporting for Vogue. She was there during the liberation of the Dachau concentration camp and was one of the first on the scene at Hitler’s Berchtesgaden retreat only to find it on fire. After the war, Lee stuck around in Europe to record the reconstruction but her photos didn’t have the same impact. She eventually left Vogue in the early 50s and never really spoke of her experiences in the war again. I’ve found a couple of books about her on Amazon so a biography might be next on my reading list.

Lee Miller

Lee Miller (second from right) in her days as a model. Navy blue and white are good sailors, by Edward Steichen, 1928.

The exhibition closes in a few days, so if you’re in London and have the chance, I’d definitely recommend it. I went expecting to have a nice day out seeing some beautifully photographed clothes, but I came away feeling like I’d learned something. Vogue seems like much more than a fashion bible full of pretty clothes and beauty tips – it also comments on the world around us. And that’s got to be a good thing.

Where there's a will there's a waist

Where there’s a will there’s a waist, by Horst, 1939. This was taken just before the photographer, a German, fled Paris and the coming war. You might recognise the pose from a certain Madonna video…

Kate Moss

You couldn’t have a Vogue exhibition without featuring Kate Moss. Here she is in her first shoot for the magazine in 1993, by Corinne Day.

Me Made May round up no. 2

It’s Wednesday, so it’s time for another Me Made May round up! (FYI I’m trying to keep Sundays for finished garments and Wednesdays for general chat)


Day 5: My grey rayon Mathilde. I think I need to revisit this pattern – I noticed the darts are sitting a bit too high on my bust. This is my hipster pose on the streets of Kentish Town.

Day 6: You’ll have to take my word for it that I wore my white patterned Scout tee. I just forgot to get a photo.


Day 7: An unblogged Tilly and the Buttons Clemence skirt in floaty double gauze. Later on that day I would flash Tooting High Street, Marilyn style, thanks to a sudden gust of wind, but here I am in the queue for Sainsburys having done a big shop. BTW Margaret on the till is ace. She told me to say cheese and everything.


Day 8: My favourite of my Grace dresses – finally getting to wear it now that the sun’s out. This is Sunday’s BBQ and those are chicken kebabs.



Day 9: My Mortmain. If I make this again, I will also take a look at the darts. I should have done an FBA but didn’t bother at the time. Still a wearable dress and good for this warm weather. This was taken at the top of Parliament Hill at Hampstead Heath on my lunch hour, and that is Canary Wharf in the distance.

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Day 10: My latest Zinnia taken while cooking a chicken and chorizo paella. I love this skirt. I also love that paella.


Day 11:  Blue Hollyburn. I like the shape of this skirt, but it’s been worn pretty regularly for two years now and the colour is starting to fade. Might be time to remake in something less washed out. Another kitchen shot – tonight’s tea is spinach and feta filo pie from Jamie’s 30 Minute Meals. It takes an hour, easily.

So what have I learned so far? Well, judging by these photos, I am definitely in my blue period. If it’s not denim or navy, I clearly don’t want to know! It certainly looks like I need a bit more colour in my life. I’ve been half-following Christine Haynes’ take on the Wardrobe Architect project which has a section on colour palette and I’m toying with the idea of doing it myself in time for this Autumn (not right now – a project like that needs a bit of attention and right now I’m focused on sewing my list and from my stash).

I’ve also noticed a couple of patterns that I still love, but need to revisit because they don’t fit as well as I’d like/the colour has faded/I just haven’t made it in a while. These tend to be clothes I wear all the time, so it’d definitely be worth the effort.

How about you? Has Me Made May provoked any flashes of enlightenment yet?









Shhhh! Secret separates!

You know what today is? Today is too nice to be indoors, that’s what today is! I’m started writing this in the back garden, where I was monitoring the barbecue while Chris made a salad. We had ALL the meat. Moroccan chicken kebabs, mini spiced lamb burgers and herby lamb steaks. It’s more than enough for two people in one sitting, so hello leftovers!

In between sunning myself and eating a small barnyard this weekend I’ve been working on those wedding outfits! Remember that swishy red skirt I made the other week? Well, I’ve made a matching top so with the skirt it sort of looks like a dress, but it’s so much more versatile as separates.

Simple top front

Coming soon to a wedding near you…

I wanted a simple top that would look good tucked into the skirt – so something flowy with a bit of floof, if you will. I turned to the Sew Over It Vintage book again for inspiration. It has some lovely drapey tops, but nothing simple enough to go with the skirt. Luckily, all the tops are based on an easy, loose fitting bodice block so I could make my own (with a bit of help from Chris, who took my measurements). There aren’t any darts to mess about with and it has kimono sleeves, so it really is just a case of transferring your measurements to paper.

I only needed two toiles before going onto the main event. The neckline on my first version needed to come in by an inch to cover my bra straps, and I dropped the waist line by another inch so that it hit my belly button – both of which I sorted out on the second toile. The only thing I changed from the block to the final top was dropping the hem a further eight inches to hit my hips and I added a facing to the neckline for a clean finish.

Simple top side

I’d show you back photos, but I have been experimenting with salt spray on my hair today and the back looks awful. The top is basically the same on the back as the front, so you’re not missing much. 

The final top is made out of the same red crepe as the skirt. It’s a really easy sew. The most difficult thing was attaching the facing, and after that it was just a few straight lines and some hems. It’s super simple, but the fabric is what makes it special. The crepe flows and drapes really nicely, so it’s perfect for floofing out of the matching skirt, but it also looks good worn untucked with jeans, which is great cos I’ll get more wear out of it than just at the wedding receptions of 2016. And now I’ve got a block that can be made into loads of other tops, so wins all round!

Simple top dummy